White Plains, NY, 20 Aug 2012 -The Society of Motion Picture Television Engineers (SMPTE) , the worldwide personality in motion-imaging standards and preparation is to media, entertainment, communications, and technology industries, currently minute a full operation of presentations at the SMPTE 2012 Annual Technical Conference and Exhibition that will concentration on digital cinematography and post production, inclusive those highlighting the growth of a 70 mm camera and optics, investigate and growth in color-management and camera metadata capture, and technology for simpler post-production collaboration.
SMPTE 2012 will take place 23 - 25 October in Hollywood. A special pre-conference conference - High Frame Rates for Digital Cinema - will take place on 22 October. Registration and module data are existing at www.smpte2012.org .
Premier Annual Event Draws Broadcast, Cinema, IT Thought Leaders
As the premier eventuality for motion-imaging industry, the annual SMPTE conference enables technical and high-level business professionals to listen to from and rivet with academic, engineering, executive, and standards considered leaders opposite the broadcast, cinema, and IT industries.
SMPTE 2012 lives up to this standard, with scheduled presentations from the BBC, Belden, Cisco, Dolby Laboratories, Ericsson, FUJIFILM, Harmonic, Harris, HBO, IBM, Microsoft, NHK, NVIDIA, Motorola Mobility, Qualcomm, Snell, Skywalker Sound, Sony Electronics, Sony Pictures Entertainment, Technicolor, and Verizon. Also participating will be heading vision-science researchers from around the world - together with member from the European Broadcasting Union and the U.S. Federal Communications Commission.
Full Range Of Digital Cinema, Post-Production Sessions
SMPTE 2012 will prominence a number of key advances opposite digital motion picture and post production, inclusive well-defined discussions of new high-performance optics for 70 mm digital cinematography and the growth of 70 mm, 25-megapixel digital cinematography camera with an integrated spark recorder; new efforts to spread the shade palette and gamut existing to imaginative professionals; and the origination of a practical network to takeover the increasingly considerable and intricate arrays of metadata by principal cameras.
Conference attendees will moreover obtain an early look in to experiments using a low-latency, high-quality draw close to image transmissions written to help directors, producers, editors, and other post-production professionals conspire without having to be in the same room.
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Learn more at www.smpte.org
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About the Society of Motion Picture and Television Engineers
The Oscar and Emmy Award-winning Society of Motion Picture and Television Engineers (SMPTE), a veteran membership association, is the worldwide personality in motion-imaging standards and preparation is to communications, technology, media, and entertainment industries. An internationally established and authorized organization, it spearheads multi-part actions to allege moving-imagery preparation and engineering opposite the broadband, broadcast, cinema, and IT disciplines. Since its first in 1916, SMPTE has published the SMPTE Motion Imaging Journal and created more than 600 standards, endorsed practices, and engineering guidelines.
SMPTE members add motion-imaging executives, engineers, imaginative and technology professionals, researchers, scientists, educators, and students from around the world. To come together the Society, greatfully revisit .
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