Wednesday, March 23, 2011

Cambridge Audio Azur 650R AV Receiver Review

Shopping for a home drama network may be an roughly tremendous proposition. There are AV receivers and approximate orator packages for roughly every definite sort of home drama focus and setting. Consumers can select from receivers able of delivering up to 9.2 channels with sufficient power to shake up cinema off the walls. And the sound high quality of a few A/V receivers is so great that there's small negotiate selecting between a receiver and a pre-amp/power amp combo or integrated amplifier. The loyal art, then, of convention a high opening home drama network comes with relating receiver to speakers and then to the room.

I came to try-out Cambridge Audio's Azur 650R AV Receiver and Mordaunt-Short Mezzo Loudspeakers after a solicit to examination Cambridge's 650BD Blu-ray player fell through. The urge is to concept player was distributor, Audio Plus Services' supply, so it was referred to we take the 650R for a turn along with a 5.1 orator setup from Mordaunt-Short's Mezzo line. I've auditioned several Cambridge products over the final 6 years and have always been tender by the design, plan and sound. Mordaunt-Short was new to me, at least by personal experience. The English loudspeaker firm was innate in 1967, and is creation inroads back in to North America around APS. A well-defined examination of the speakers may be found here on AVRev.com.

Design and Features

The 650R (MSRP $1,799) may not be the many outlandish AV Receiver, but for cost and opening it may be the most appropriate in its category and then some. This 7-channel receiver is lots powerful, able to outlay 100 watts in 7.1 mode and 120 watts in 2-channel stereo. I'm not certain if there's an audio format the 650R doesn't support, but a few important newbies add Dolby Digital Plus, Dolby True HD, DTS-HD Master Audio and High Resolution.

The receiver weighs 33 pounds and is contained in a low-resonance steel box that rests resolutely on 4 padded feet. The 650R's face is brushed black, machined aluminum with spherical corners. The front row controls are logically organised and make it easy to select source, audio/video type, melody air wave stations and link up a video camera recorder, diversion console or extra video source if desired. An easy-to-read blue LED visibly confirms all user's selections. If you're a remote-only person, Cambridge has built a chic manage club that puts all at your fingertips. This is one of the most appropriate remotes I've used for ease and discerning control. There are no figures or difficult jargon, only well-labeled buttons.

Likewise, the back row is orderly "divided," with the 650R's X-TRACT vent grille centered between the countless inputs and orator terminals, that agree to unclothed handle and banana plugs. The 650R has 3 HDMI inputs and one HDMI outlay along with multi-part video inputs ancillary Component, S-Video and Composite connections. There are moreover options for multi-channel analog sources, such as SACD players, multi-room outputs, RS232C control, and receiver inputs for AM/FM air wave reception.

Inside the framework is a brawny low motion toroidal transformer and power supply. A span of 32-bit digital vigilance processors give the audio translating power. On the video side, the 650R can up-convert analog video inputs to HDMI, so you can send all video signals to a TV around one HDMI cord. To make sure succession between audio and video, whilst watching video sources, a Lip sync function allows adjustments to indemnify for any estimate delays.

Setup

The 650R's CAMCAS (Cambridge Audio Mic Controlled Auto Set-Up) includes a microphone for easy room calibration and to obtain up and running. Users of a more technical collapsed can perform orator and room calibration manually. Otherwise, it's a candid routine to allocate orator setup (5.1/6.1/7.1) using the system's On-Screen Display and then let the Auto Set-Up do its thing. After this step, it's only a matter of assigning HDMI and other sources using the same Display.

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